Writer and podcaster Molly Lambert from the Night Call and Molly’s Sleazy Friends discusses everything Shelley, including her magical fairie tale kingdom on cable, as we watch Jack shifts into Scary Dad mode.
We zoom from a bachelor pad in Florida to a bathroom in Colorado, hitting the midpoint of the movie on the way there. We ponder paintings and Peter Sellers, and Jack is finally terrified…until he’s not.
Stewart Thorndike, who played Nuala in Eyes Wide Shut and is a horror movie writer and director (Lyle), discusses Wendy’s problematic situation, what’s missing in horror films, and what it was like to act for Kubrick.
An excerpt from a Patreon-only discussion of Kubrick’s sci-fi masterpiece 2001: A Space Odyssey. This was an extremely fun roundtable, where we covered behind-the-scenes facts, the meaning of the movie, and debated its place in movie history.
Bruce Handy from Vanity Fair, who has an article in the current issue titled “2001: A Film Odyssey,” science journalist Corey Powell from Discover, American Scientist and Bill Nye, and film critic Christopher Funderburg from The Pink Smoke dig into what some consider the greatest movie ever made. A lively discussion with insider facts from the Kubrick Archive, fascinating science background info, and much debate over this movie’s place in the history of cinema.
The entire episode (1 hour and 50 minutes) is available for a $3.50 subscription to this podcast’s Patreon account, [EDIT: NO LONGER ACTIVE] which includes at least two bonus-content episodes per month. For a few dollars more, you will receive a new exclusive sticker every month.
This will be the only free excerpt available.
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A map of where everything was filmed at Elstree Studios.
Watching the Vision Assist, which captured each day’s takes with Kubrick having to print the film. (He printed most of them anyway!)
A TV spot with alternate takes never used in the film.
A call sheet from The Shining.
Inspiration for continuity errors in the film?
From Stephen King’s The Shining
Danny lay awake in his bedroom, eyes open…
His glider floated overhead from a string. On his bureau the VW model, brought up from the roadway setup downstairs, glowed a dimly florescent purple. His books were in the bookcase, his coloring books on the desk. A place for everything and everything in its place, Mommy said. Then you know where it is when you want it. But now things had been misplaced. Things were missing. Worse still, things had been added, things you couldn’t quite see, like in one of those pictures that said CAN YOU SEE THE INDIANS? And if you strained and squinted, you could see some of them—the thing you had taken for a cactus at first glance was really a brave with a knife clamped in his teeth, and there were others hiding in the rocks, and you could even see one of their evil, merciless faces peering through the spokes of a covered wagon wheel. But you could never see all of them, and that was what made you uneasy. Because it was the ones you couldn’t see that would sneak up behind you, a tomahawk in one hand and a scalping knife in the other…
Roald Dahl’s Lamb to the Slaughter, originally a short story and also adapted and directed by Alfred Hitchcock for Alfred Hitchcock Presents.
The scene that almost got John Cribbs thrown out of a movie theater. “How’d you like some ice cream, Frodo?”
The beautiful Andreas Gursky photo to which John was referring.
Trailer for The Sentinel (1977)
Trailer for The Blackcoat’s Daughter (2017)
Trailer for Toshio Matsumoto’s Funeral Parade of Roses (1969), which influenced A Clockwork Orange.
This is low quality but a prime example of the creepiness of Federico Fellini’s Giulietta degli Spiriti (Juliette of the Spirits) (1965). [NB: On the podcast I mistakenly call it Juliette of the Spring] Bonus: Twins! I suggested this and other Fellini films that contain creepiness were an influence on The Shining, but heck, let’s throw in Rosemary’s Baby, The Exorcist and most of David Lynch’s stuff as touched by Fellini. WARNING: Super-scary.