Gaylord Fields watches The Shining for the first time and discusses his aversion to horror, the Magical Black Man, and the alarming lack of winter coats at The Overlook.
Kubrick expert Justin Bozung discusses some of the 70-something Kubrick-oriented interviews he’s conducted, as well the true meaning of coyotes and roadrunners.
Father David Mowry is here to cast the demons from this podcast and discuss the intimate and inevitable ties between horror and Catholicism, in both reality and fantasy.
Adam Howard from Full Frontal with Sam Bee and the Never Seen It podcast discusses the N-word, the odd story arc of Mr. Hallorann, and the awkwardness of the men’s room.
Writer and podcaster Molly Lambert from the Night Call and Molly’s Sleazy Friends discusses everything Shelley, including her magical fairie tale kingdom on cable, as we watch Jack shifts into Scary Dad mode.
Gena Radcliffe from the Kill by Kill podcast and Megan Dooley stop by discuss the bathtub lady, an embarrassing fan theory about Jack, and King’s other big movies.
We zoom from a bachelor pad in Florida to a bathroom in Colorado, hitting the midpoint of the movie on the way there. We ponder paintings and Peter Sellers, and Jack is finally terrified…until he’s not.
We are at the halfway point in the podcast series, so it seems a fine time to put together a sampler of funny, interesting and philosophical bits from the podcast. Enjoy! And please pass it around!
Jonny Coleman stops by to set Jack on his way to that room, and we visit another colorful bedroom in Florida, where we will discover a nod to Peter Sellers, a podcast exclusive!
Marcus Pinn from Pinnland Empire and Zebras in America and The New Yorker’s Joe Dator discuss the Portlands, the white man’s burden, and we ponder if any other actor could have played Jack.
One of the few obscure Turkel clip I could find. The Dark Side of the Moon (1990)
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Tasha Robinson and Bob Koester step up to Lloyd’s bar and talk about the wonderful Mr. Turkel, how he and Jack messed with Stanley, and why Jack owes Joe from waaaaaay back.
Cabin in the Woods “Cabin Minute Cast” host Heidi Bennett joins with Megan Dooley to talk female roles in horror films, authenticity in The Shining, and the debut of Dummy Danny.
Joe Dator from The New Yorker discusses one of the most iconic scenes in movie history, along with an exploration of scary Brits and inappropriate television.
A book on Stuart Ullman’s desk at the beginning of The Shining, clearly titled Red Book. Is it possible this was meant to be Carl Jung’s mysterious “Red Book”?
Pages from Carl Jung’s “The Red Book,” also known as “Liber Novus.”
Stewart Thorndike, who played Nuala in Eyes Wide Shut and is a horror movie writer and director (Lyle), discusses Wendy’s problematic situation, what’s missing in horror films, and what it was like to act for Kubrick.
Musicologist Jonathan Stern discusses the stunning soundtrack to The Shining, how the overhead maze scene was shot, plus Kubrick’s connection to Gilligan’s Island.
WFMU Midnight Matinee’s John Schnall sat through The Shining fourteen times when it first came out and lived to talk about it 37 years later for this week’s podcast.
Elstree Studios film historian Howie Berry dollops out some amazing inside scoops about the elevator of blood, continuity errors, and some scenes we’ll never see.
A map of where everything was filmed at Elstree Studios.
Watching the Vision Assist, which captured each day’s takes with Kubrick having to print the film. (He printed most of them anyway!)
A TV spot with alternate takes never used in the film.
A call sheet from The Shining.
Inspiration for continuity errors in the film?
From Stephen King’s The Shining
Danny lay awake in his bedroom, eyes open…
His glider floated overhead from a string. On his bureau the VW model, brought up from the roadway setup downstairs, glowed a dimly florescent purple. His books were in the bookcase, his coloring books on the desk. A place for everything and everything in its place, Mommy said. Then you know where it is when you want it. But now things had been misplaced. Things were missing. Worse still, things had been added, things you couldn’t quite see, like in one of those pictures that said CAN YOU SEE THE INDIANS? And if you strained and squinted, you could see some of them—the thing you had taken for a cactus at first glance was really a brave with a knife clamped in his teeth, and there were others hiding in the rocks, and you could even see one of their evil, merciless faces peering through the spokes of a covered wagon wheel. But you could never see all of them, and that was what made you uneasy. Because it was the ones you couldn’t see that would sneak up behind you, a tomahawk in one hand and a scalping knife in the other…
An interview from 1980 with Mick Garris. Scatman sings at about 3:00.
Scatman and Redd Foxx on Sandford and Son in 1975
The coin toss scene in No Country for Old Men(2007), directed by Joel and Ethan Coen, with Javier Bardem and Gene Jones
Orson Welles and James Cotton in The Third Man (1949), directed by Carol Reed.
Peter Boyle and Robert DeNiro in Martin Scorsese’s Taxi Driver (1976)
John Huston and Jack Nicholson in Roman Polanski’s Chinatown (1974)
Toni Collette and Haley Joel Osment in The Sixth Sense (1999), directed by M. Night Shyamalan. The scene really begins (brilliantly) about a minute before this, with Haley’s character telling his mom about a ghost outside the car window. (If anyone has the whole clip, please let me know!)
Martin Landau and Sam Waterson in Woody Allen’s Crimes and Misdemeanors (1989)
Lots of great conversation scenes in Alex Cox’s Repo Man (1984), here with Emilio Estevez and Fox Harris.
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Marcus Pinn from Pinnland Empire and Zebras in America talks with me about this intense scene, plus the stuff that messed with our brains in childhood.
Roald Dahl’s Lamb to the Slaughter, originally a short story and also adapted and directed by Alfred Hitchcock for Alfred Hitchcock Presents.
The scene that almost got John Cribbs thrown out of a movie theater. “How’d you like some ice cream, Frodo?”
The beautiful Andreas Gursky photo to which John was referring.
Trailer for The Sentinel (1977)
Trailer for The Blackcoat’s Daughter (2017)
Trailer for Toshio Matsumoto’s Funeral Parade of Roses (1969), which influenced A Clockwork Orange.
This is low quality but a prime example of the creepiness of Federico Fellini’s Giulietta degli Spiriti (Juliette of the Spirits) (1965). [NB: On the podcast I mistakenly call it Juliette of the Spring] Bonus: Twins! I suggested this and other Fellini films that contain creepiness were an influence on The Shining, but heck, let’s throw in Rosemary’s Baby, The Exorcist and most of David Lynch’s stuff as touched by Fellini. WARNING: Super-scary.
Statue of a Native American child riding a turkey at the Paramus Park Mall.
Diane Arbus’s “Identical Twins, Roselle, New Jersey, 1967”
Stanley Kubrick’s photo from a Look Magazine essay titled “Deaf Children Hear for the First Time” (1948) [NB: The colorized version also shown was not colored by Kubrick]
The twins’ dresses at the traveling Kubrick exhibit, photo courtesy Tula Jeng from her wonderful site Whorange.
Mrs. Grady’s head, from a scene in “Making ‘The Shining,'” a documentary by Vivian Kubrick. In this scene, Wendy would look in a mirror and see Mrs. Grady behind her, and then the mirror would shatter.
Scene from Scorsese’S “Taxi Driver” (1976) in which the camera pans to the side, down a hallway, at about 1:02.
The facade of the Overlook Hotel, under construction
